Anne’s answering machine reels off messages for her. Concerned friends, acquaintances, pornographic fantasies. Yet Anne herself never appears in the course of the play, not once. The story of a tragic love apparently, of betrayal against a background of political persecution. Anne, the terrorist, the cold-blooded assassin… her biography a sequence of vague clues, contradictory second-hand information, fragments of a human identity. From “17 Scenarios for the Theatre” the portrait is pieced together of a woman who persists in her absence. Playful sequences, choreography, film material, voices from off stage – thematically interlinked – attempt to bring her to life and in the process unintentionally reveal more about those who are talking about her.